Productivity Gains and Jobs Lost – A Conundrum

At breakfast this past weekend my wife and I were lamenting the lack of job creation by the Obama administration over the past three years with a friend of ours, Mary M. As we talked, it occurred to me that productivity gains the U.S. has been generating over the past five years may be as much a culprit in the lack of job growth as off-shoring and the general recessionary economic environment.

We see new online and on premise automation devices like self-check-in kiosks, help yourself digital photo printing, drive through toll taking, etc proliferating daily. Each of these new technologies has displaced a staffed position, albeit a low wage, low skilled job. And the companies that have installed them are pushing consumers to use these new automation devices with the penalty of higher fees for their services if you choose to use non-automated methods. But what benefit does society gain if there are no replacement jobs for these displaced workers?

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Another Gallon of Milk

That’s the equivalent weight I have lost over the past four months. Two gallons of milk since the start of the year.

I have been on a weight loss program for the past two years. Early on in this quest I felt the need for some way to tie my progress to something I could relate to. One meaningful item I interact with often in any given week is a gallon of milk. With three growing children I am regularly bringing one home from the grocery store. A gallon of milk weighs about 8 pounds. This is a sizable enough weight that I couldn’t lose it all at once. And my regular interaction with it at the grocery or at home ( when around other foods) would be good reminder of my weight loss objective.

It has been nearly two years now since I started and I just weighed in at 165 pounds. 34 pounds off my starting point. Just over 4 gallons of milk! Each time I take a fresh gallon of milk out of the fridge I think about how used to carry 3 or 4 times this weight around all the time. It motivates me to want to lose more.

So how much more should I try to lose? When I started on this weight loss program my BMI (Body Mass Index) was over 30. That classified me as obese. Today my BMI is 26.5 and places me in the overweight category. To get my BMI below 25 and attain a normal rating I need to get between 150 and 155 pounds. So the effort continues. Two more gallons of milk to go.

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Artist’s Statement: Photography

Photography became a passion of mine as I entered high school.  Prior to that I’d taken the odd picture or two with the ubiquitous Kodak Instamatic and its cartridge based 126 film.  Not very good quality, no compositional flare, and very limited subject matter (mostly of my brother doing weird things).

My father bought me a camera to take with me as I set off on my high school experience at a prep school out east, Deerfield Academy.  Being the only kid at the school from the state of Iowa, and somewhat shy, the camera gave me an easy way to be involved by being in the background.  I grew out of the shyness with my classmates during that first quarter of classes and sports.  The camera became, then, a pleasant means of escape and ongoing creative expression in an otherwise cramped schedule.

I took my first photography class the winter of my first year and immediately fell in love with the amazing transformation the chemistry of photographic development brought out.  Transforming what my eye caught in an instant into a lifetime of fixed images to enjoy and reminisce with.  I am sitting here now, some 34 years after those first photos, and reconnecting with the memories they evoke.

As my interest in photography grew and evolved I began experimenting with non-conventional photographic techniques.  It was not enough for me to just compose, expose and develop quality images.  I became intrigued with ways to manipulate the medium in ways that would break the confines of time sliced into fractions of a second.

I acquired a substantial library of photography books which shaped my compositional aesthetics.  From Ansel Adams series on black and white photography and the zone system to David Hockney’s Camerawork I found inspiration in a wide variety of techniques and styles.

My more recent works, the past ten years or so of digital only photography, embrace the compositional and tonal aesthetics of the early photographic masters (Adams, Weston, etc) and explore the boundaries of time and exposure available with this new digital medium.

My Photographic Gallery currently showcases some recent works along with six topical categories: People, Places, Still Life, Panoramas, Abstracts, Blurs, and Mosaics.  More on the last three in other posts.

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Photography: Why Blurs?

Photography has mostly been defined by what can be captured in a tiny fraction of a second.  Blurs came about for me as a way to explore extended slices of time in capturing images.  Instead of working with 1/60 of second increments or faster I have been working with 1/4 of second shutter speeds or slower.

”]Our expectation when viewing photography is crisp focused images.  What do we do we when this expectation is not met?  How do you evaluate the image above?  Do you consider it artistic or annoying?  Do you linger over it and explore in your mind what it could possibly be in real life?  Does its abstract quality evoke any feelings?

 

Personally, I find these images rewarding because they do make me linger, dwell and contemplate.  Of course, I approach all of these images with behind the scenes knowledge of what they once were in real life.  The image above, for example, is the base corner of a column and terracotta flooring within the San Juan Bautista Basilica.  Does knowing what the image really is of change your perceptions or opinions of the image? Is the abstract quality of the image enough to derive some enjoyment from?

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I’m on Facebook, but who am I?

I have been on Facebook for quite a while now, but I am not an active poster. Not long after joining I confronted the “Who am I?” question. Like most people I lead several lives. Public and private, social and professional, artsy or athletic, etc. I haven’t figured out which subset to be without feeling schizophrenic or worrying I might come off the wrong way to the wrong subset of my friends list.

I’ve also joined Linked In and gained some comfort that I could be purely professional there and somewhat social on Facebook.  But I am not, by nature, an expressive individual and I don’t find any driving desire to share much of my life, daily or otherwise, with others.  So I visit Facebook, perhaps once a week or so, and peruse my wall and inbox to see what others I know are up to.  Aside from excited posts about my favorite sport’s teams winning big games, I don’t find compelled to add much to this system of my own.  My friends’ posts, aside from providing some voyeuristic window onto their lives, don’t compell me to interact with them on any greater level than I do in real life.  In some ways, if I did it would come across to me as artificial versus a phone call or a face to face chat.  And, finally, if I spend time interacting through this digital medium is it worth the loss I suffer doing things in person or quiet time I find valuable for myself?

I have accepted, and been accepted by, about 90 others on Facebook.  I have gotten many other invites, but feel awkward about accepting invites from c0-workers or former co-workers given my position with the company I work with now.  Again, that conflict between me as the professional and me as the individual.

In summary, I find the Facebook phenomenon intriguing, but not quite for me in any engaging sense.  How many others will come to the same conclusion?

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Bicycling vs Driving: An Assessment

My wife and I made the transition from being car-centric to bike-centric last year. This had been a long time in coming. The recession sort of kicked us into gear.

I’ve been biking to and from work for over 15 year in the hilliest city in the U.S.  We live about 400 feet above sea level with steep hills making up the final four blocks to our house from any direction.  We’ve been raising three children through home schooling and now private schools.  Our oldest transitioned to college two years ago.  In 2008 we owned a 1997 Dodge Caravan and a 2004 Toyota Prius.  We were averaging about 3,000 miles per year on the Caravan with 2,000 being logged each summer on a trip up to Seattle and the San Juan Islands.  We were averaging about 9,000 miles per year on the Prius.

My wife got interested in an electric bike early in 2009 as we evaluated ways to become more ‘green’.  She bought an Electra-Townie, added an Extracycle conversion kit to it, and a 400 watt electric motor.  With that, she was all set and began doing all grocery shopping at Trade Joe’s on her new ‘vehicle’.  After our 2009 summer vacation up to the San Juan’s we took the final plunge by selling the Carvan and getting me an EcoBike with a 250 watt electric motor and a membership in City Car Share as an auto backup.  After this summer’s vacation (taken in the Prius) my wife stepped up to a regular bike to complement her electric one.  Neither of us is now hung up about walking the last blocks up to our house, if necessary, on our regular bikes.  The electric bikes are our luxury transportation options effectively leveling out the challenging terrain we live in .  One of our daughters dances six days a week at a studio about a mile from our house.  My wife regularly takes her to and from the studio on her electric bike with the ‘extended’ back seating area.

For over a year now we have been essentially a four person family with one car, six bicycles (two electric) and Clipper cards for our girls (easy access to public transit in the Bay Area).  We’ve used our City Car Share membership for four rentals in the past year and a half which is much less than we anticipated.  Our mileage in the Prius (including the 2,000 trek to the Pacific Northwest) was 6,000 miles between the fall of 2009 and the fall of 2010.

Economically, we’ve traded in an aging Dodge Caravan costing us $800 per year in insurance premiums, $600 dollars per year in maintenance and about $700 per year in gas totaling about $2,100 per year for about $300 per year in bicycle maintenance and $120 in annual City Car Share membership fees.  In addition, we are more physically active individually and find the extra time it takes to get places in the city is almost offset by the inconvenience finding parking and walking to our final destination.

A Whole Foods grocery store opened in our neighborhood, Noe Valley, in the fall of 2009.  After the initial opening flood of interest parking in the 40 space lot has remained at a premium.  It is unusual not to see cars backed up waiting for a spot any time I visit this store.  With the EcoBike I never go to this Whole Foods by car and never have a problem getting immediately parked.  This ‘parking convenience’ spills over into almost any other activity we engage in including visits to museums, evenings at the symphony (yes we ride in formal outfits), and going to Major League Baseball games (including this year’s World Series).

The moderate climate of San Francisco is a real benefit. We do ride in the rain, but don’t have to face freezing temperatures or snow and ice on the roads.

If we can make this transition, in the hilliest city in the U.S., it can happen with families in other major cities with moderate climates more easily.  Electric bikes wouldn’t be necessary if hilly terrain is not an issue.  Take up the challenge; explore this ‘greener’ cheaper transportation alternative.

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Twitter is Toast

How do we sort out fact from fancy?… distinguish fads from long lasting developments?

I am an early adopter of most high tech developments. Why haven’t I adopted Twitter?

I have no personal need for it. I am not voyeuristic enough to want to ‘follow’ people. I am not egotistical enough to think anyone would want to follow me. I simply don’t have time in the day for it. The exponential or exploding growth of Twitter is going to flatten out. Mathematically it has to. Then there will be period of decline. How far will it fall?

Will it be quickly usurped by another technology darling like Facebook over MySpace or Google over Yahoo?

Or will it eventually disappear? My vote is for it to disappear, but realistically it will probably fade into a corner of the Internet a certain subset will be eager to maintain.

140 characters is a simple limit, but how much can it convey? A serious dialogue or debate on any issue cannot be conducted within a 140 character limit. Twitter will become defined as the medium of the superficial or the medium of NOW. It will not become a place for serious debate or move our society forward. It will become a place for those who wish to wallow in the banal can wallow to their heart’s delight. Let them.

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eMedia and the Five Senses

Our Five Senses: Touch, Taste, Sight, Smell, and Hearing. eMedia today provides access and interaction through two of the five senses, but even then in only a surrogate manner. Touch, Taste and Smell aren’t possible today over the internet and very limited tactile or motion based interface devices provide access to touch in local gaming environments.

Two of the senses, Touch and Smell, provide a key difference between reading online and reading printed matter.  There is certain comfort and relationship that develops between us and a book or magazine with its thick, thin, rough or smooth pages to turn. Electronic reading devices attempt to mimic this, but the actual sense of touch is still lacking.  Books, particularly older ones, often carry with them an odor of authenticity electronic media devices cannot provide.  Remember also, the smell of freshly mimeographed school assignments and test papers?  Our sense of Smell can quickly transport our mental state back in time or across geographical divides affecting our wholistic interpretation of the matter at hand.

Recent inventions in the gaming world with Wii devices and Kinect controllers strive to get us more physcially involved and immersed in the digital world.  Yet, they don’t really provide any tactile sense of Touch as we really experience it in our daily lives.  The motion is there, but the innate sense of interaction is, somehow, still lacking.  Touch pads and pen based input devices like Wacom tablets try to give artists a more tactile sense of creation in artistic media.  But I find them no substitute for the real thing; putting pen or pencil to paper and drawing directly.  With a Wacom tablet my hand is in one place and my eyes are in another.  They don’t connect so the interactive circuit is disjoint.

What are we, as a society, missing now as the vast majority of our new creative ideas are logged solely in electronic media? What risks does this present to us?

 

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Content creators, Content consumers and the Technology Divide

Content creators have always needed some means for getting their message or ideas out to content consumers. The simplest mechanism has always been the human voice distributing its message to the human ear.  Following closely from this has been the handwritten word to the human eye.  In both cases no intervening technology is necessarily required to create or receive the content.  Certain technological devices like the bullhorn for voice or the pen/pencil on paper for the written word have augmented the distribution function.  In both of these cases the technological enhancement has remained in the hands of the content creator.  The content consumer has only had to be able to hear or see (and comprehend mentally) the messages to receive them.

The invention of the printing press and movable type in the mid-1400’s greatly expanded the ability of content creator’s to get their message out to many more content consumers, both in an immediate sense and over extended periods of time (e.g. archived books, letters, etc). Technology still resides in this case solely with the content creator.  Once the content creator has accessed the printing press and created the content no further technological processing is required on the part of the content consumer to access and comprehend the message.  If all power was lost, if all artificial light became non-existent, we could still access the content stored in books and letters.

Audio recordings have seen a tremendous change over the past twenty years.  Morphing from reel-to-reel and cassette tapes to CD’s and most currently digital only (e.g. iTunes) formats. Stored audio didn’t come into our cultures until Edison invented the recorder in the late 1800’s.  This invention established a need, not only on the part of the content creator to store the audio input, but also a need on the part of the content consumer to use a device to decode or ‘playback’ the audio from the medium it is stored upon.  Old wax audio recording tubes or discs are no longer accessible to us today because we lack the playback devices required to ‘hear’ the works.  These early storage devices up to and including LP records and cassette tapes worked on ‘analog’ principles from which a future intelligence could possible glean there is a message to obtain.  Today’s CD’s and DVD’s store information in proprietary formats as combinations of  0’s and 1’s that would be difficult, if not impossible for a future generation to recognize, ‘decode’ and interpret.  In addition, these newest media still fall prey to degradation issues.  After 50 years there may longer be any message left.  An LP record may hold up for many decades with its physically etched ridges and valleys of analog audio content.  Not so for CD’s or DVD’s.

In today’s digital world content consumers require almost as much technology as content creators in order to receive and comprehend the content.  This puts the communications system at risk if any parts fail.  The chain can be broken and all access to content can easily be lost.  Power outages, changes in media formats (e.g. LP records, floppy disks, CD’s, DVD’s, etc), and electronic security mechanisms can inhibit or bar our future access to digital content.

What are we doing to protect our society’s intellectual legacies from being lost through technological obsolescence or power failure?

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How Our Media Lives Confront The ‘Fixed’ Day

With the proliferation of online media choices we are confronting the immmutable limitations of the ‘fixed’ day.

Michael Pollen and others have written about the problem of the ‘fixed’ stomach with respect to the food industry’s growth concerns. If people can’t consume any more food, once full, how do businesses grow?

Societies today, particularly our American society, have seen tremendous growth in media choices.  Some trends have been fads, some trends are currently playing out, but all of this growth in choice is forcing us, individually, to face our ‘fixed’ day limits.  There are only 24 hours in a day. How do you, your friends or family members choose to spend them?  What are you not doing today that you were doing two, five or ten years ago in order to interact with or consume media.

Substitution is the only answer.  Do you substitute sleep for social or streaming media?  Your health, exercise or hygiene? When and if you eat? If none of these then, what are you sacrificing in terms of human interactions in other ways?

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